вЂњI have really been stung by that whole reaction,вЂќ Morgan admitted. The duo seem to have been quite surprised at the response that the episode generated, arguing that Home was not too far outside the showвЂ™s comfort zone: This is perhaps reflected in their scripts none of the four episodes produced by the duo for the fourth season feels like a вЂњgenericвЂќ or вЂњconventionalвЂќ episode of The X-Files. There is a sense that Morgan and Wong did not entirely reintegrate with the writing staff. The X-Files became a huge success after we left, so they knew what they were doing.вЂќ The production values, were: вЂmy god!вЂ™ Some shows were disappointing. I thought some of those mythology shows were incredible. I had thought DarinвЂ™s scripts were fabulous.

We wanted to pile on, the work early in the season and help out as much as we could before going into The Notorious. It was like, вЂHey, guys, do you remember who we were?вЂ™ and people were almost too busy doing their own thing to take a moment to acknowledge that, IвЂ™m exaggerating a bit for effect, but it sort of felt like that when we came back, especially when we went to Vancouver. вЂњWe were out of it, by the time we came back. вЂњIt felt a bit like, вЂYou canвЂ™t go home againвЂ™, like we were left behind,вЂќ James Wong said. Given how radically the show had changed in their absence, there was an understandable disconnect on their return: Working on Space: Above and Beyond, Morgan and Wong had largely missed the third season of The X-Files. Musings of a Cigarette-Smoking Man aims to blow up the mythology even more than Jose ChungвЂ™s вЂњFrom Outer SpaceвЂќ, reducing the showвЂ™s central narrative thread to a cruel punchline. Mulder is confronted by memories of a past life he can never reclaim in The Field Where I Died, reflecting a deep melancholy for a past that can never be recaptured. If Darin MorganвЂ™s scripts for the third season seemed to want to вЂњbreakвЂќ the show, Morgan and Wong go even further in the fourth season. In their final script for the show, Never Again, even the Mulder and Scully dynamic has become toxic after Scully fails to break away. If their return to The X-Files represented something of a homecoming for Morgan and Wong, Home immediately makes it clear that вЂњhomeвЂќ is not always a pleasant place. Both Home and Never Again portray characters stuck in profoundly dysfunctional relationships. Indeed, looking at the four episodes that the pair produced, it seems like Morgan and Wong were not overjoyed to be returning to The X-Files after their time away. Perhaps the most surprising thing about Home is that it is the most conventional of these four explosive scripts. While not all four scripts are unqualified masterpieces, they each serve to push The X-Files further than it has gone before.

Returning from Space: Above and Beyond, the two seemed to be bristling with an electric energy and a palpable frustration. Home is the first of their four scripts for the fourth season of The X-Files, and it sets the mood quite well. Morgan and Wong would produce four episodes of the fourth season of The X-Files and three episodes of the first season of Millennium. Fox had convinced Morgan and Wong to return to Ten Thirteen in return for producing a pilot for The Notorious Seven, one the duoвЂ™s long-gestating ideas. With the debut of Millennium looming, the production team on The X-Files was under pressure. Home also marks the return of writers Glen Morgan and James Wong to the series, following the cancellation of Space: Above and Beyond.

Imdb x files home